48 


,  273.  A.  GRIPS,  Brussels. 

A  Belgian  Interior. 


274.  H.  L.  ROLFE,  London. 

Trout. 


This  beautiful  painting  is  the  work  of  the  most  illustrious  painter  of 
fish  in  the  world. 


275.  MILNE  RAMSEY. 

Objects  of  Nature  and  Art. 


276.  L.  BUNTING  WADE. 

Turkish  Lady. 


277.  EMANUEL  LEUTZE,  (deceased). 

The  Successful  Suitor. 

In  New  York,  where  the  works  of  Leutze  are  best  known,  this  ex¬ 
ample  stands  pre-eminent.  It  is  considered,  perhaps,  the  finest 
work  of  his  life. 


278.  H.  J.  HOLBROOK. 

The  Babes  in  the  Wood. 

279.  The  Empty  Stocking — Christmas  Morning. 


oe-tc  . ' 


CL. 

'  I 

A  g 

LIBRARY 

N°- 

M.KNOEDLER  &  CO. 

« 4  # 

556-8  Fifth  Ave, 

ACC. 

New  York 

1 

CU-  «i-5^  | 

MR.  CHARLES  F.  HASELTINE'S 


Collect  ion  of 

Valuable  Works  of  A  rt. 

EMBRACING  CHOICE  EXAMPLES  OP  THE 

FRENCH,  ITALIAN, \  GERMAN,  BELGIAN,  SPANISH, 
ENGLISH  and  AMERICAN  SCHOOLS, 

NOW  ON 

(gjfl)ibition  free,  Omj  nub  tffuening, 

AT  THE 

Leavitt  Art  Rooms,  sit  Broadway, 

AND 

TO  BE  SOLD  LIT  AUCTION' 

ON  THE  EVENINGS  OP 

Tuesday,  Wednesday  and  1  hursday, 

DECEMBER  8tli,  9th  anti  lOtli,  1874, 

COMMENCING  AT  EIOIIT  O’CLOCK, 

AT  THE 

CLINTON  HALL  SALE  ROOMS, 


IV  I$$VlTT,  Auctioneers, 

CLINTON  HALL, 

Astor  Place  nml  Eiitlitlt  Street. 


THE  FOLLOWING  EMINENT  ARTISTS  ARE  REPRE¬ 
SENTED  BY  IMPORTANT  WORKS:  * 


Merle 

Gerome 

Houghton 

Baugniet 

Saintain 

Ittenbach 

Valles 

Chaplin 

Rougeron 

Volkers 

Verboeckhoven 

Lejeune 

Escosura 

Coomans 

Zamacois 

Pasini 

Spiridon 

Innocenti 

Rarvetius 

Leinweber 

'Prayer 

Guillemin 

Sonderman 

Heilmeyer 

Richter 

Delobbe 

Bakalowicz 

De  Jonghe 

Beranger 

Jimenez 

Neuheys 

Seibels 

Castiglione 

Cortazzo 

Hamman 

Carnavalli 

Thirion 

Bouchard 

Coroenne 

Chevillard 

Otto  Weber 

Heuillant 

Riefstahl 

Hampe 

Heiligers 

Tony  Faivre 

Van  Thoren 

Rosenboom 


Daubigny 
Jules  Dupre 
Troyon 
Corot 
Ziefn 

B.  C.  Koekkoek 

Pittara 

Jacque 

Wahlberg 

Robie 

Castan 

Innes 

Oudinot 

Gignoux 

Bieistadt 

Veron 

Haseltine 

Herzog 

Schleich 

Theo.  Frere 

Dell  ’Aqua 

Privotz 

Van  dcr  Venne 

Walraven 

Beauverie 

Muretti 

Jacobsen 

Alvarez 

Ferrari 

Jacquet 

Litschauer 

Steffeck 

Andriotti 

Saunier 

Nicholson 

Von  Seben 

H.  Ronner 

Navone 

Corrodi 

Ley  en  decker 

March  aux 

Vernier 

Santoro 

RafFaelli 

Hiller 

Klemke 

Gijon 

De  Crano 

Compte 


Schreyer 
Rossi 
Hide 
Bosch 
Ducro 
Cipriani 
Tapiro 
Lambron 
Maccarri 
Sell 
Guerra 
Roshal 
Adam 
Bechi 
Cipola 
Werner 
De  Vos 
Ramsey 
Levy 
Caraud 
Rolfe* 
Knarren 

Goupil 

Robiejsh 

Cuny 

Seratrice 

Malida 

Roybet 

Rota 

Amberg 

Masse 

Barth 

Angus 

Linder 

Toeschi 

May 

Moormans 

Romako 

Doyen 

Hue 

Haag 

Reidel 

DeBerg 

Lambdin 

Kensett 

Jas.  M.  Hart 

Win.  Hart 

Thom 

Etc.,  etc. 


VERY  IMPORTANT  NOTICE. 


In  making  this,  his  opening  sale  of  the  season,  Mr.  Haseltine  is  well 
aware  ot  the  stagnation  in  business,  and  how  much  depressed  a  large 
portion  of  the  community  have  become,  and  in  consequence  how  great  a 
venture  it  is  on  his  part  to  place  upon  the  market  in  this  way,  so  valuable 
and  costly  a  collection  of  paintings  ;  but  he  trusts  that  the  magnitude 
and  splendor  of  the  offering  will  secure  from  Art  patrons  such  a  positive 
appreciation  as  shall  nullify  the  influences  of  the  times.  To  meet  the 
views  ot  many  persons  who  at  present  are  not  ready  to  purchase  valuable 
paintings,  but  who  also  would  not  care  to  lose  such  a  great  opportunity, 
Mr.  Haseltine  offers  through  the  Messrs.  Leavitt  the  following  liberal 
terms  upon  purchases  at  this  sale  : 

For  all  amounts  over  $  500,  30  days'  credit. 

“  “  “  “  1,000,  60  “ 

“  “  “  “  2,000,  90  “  “ 

“  “  “  “  3,000,  4  months’  “ 

Where  credit  is  given,  approved  endorsed  paper  is  required  ;  and  those 
desiring  to  purchase  on  these  terms  are  requested  to  confer  with  Mr. 
Haseltine,  or  the  Messrs.  Leavitt,  previous  to  the  sale,  as  in  all  other 
cases  the  paintings  will  be  sold  for  cash. 

Especial  attention  is  requested  to  the  following  extraordinary  pictures : 
The  Right  Path,  by  Merle,’ 

The  Railroad  Crossing,  by  Bosch, 

Market  Scene  in  Hungary,  by  Volkers, 

Blind  Man’s  Buff,  by  Leinwebber, 

The  Burial  of  the  Bird,  by  Lejeune, 

The  Serenade,  by  Escosura, 

The  Garden  Ramble,  by  Saintain. 
and  wo  rks  by  Boughton,  Coomans,  Guerra,  Dupre,  Daubigny,  Baugniet, 
Ducro,  Gerome,  Troyon,  Rossi,  Ziem,  and  many  other  of  the  eminent 
painters  of  the  day. 


CATALOGUE. 


C.  H.  SHEARER, 

1  In  the  Forest. 

2  Woods  near  Reading. 


J.  SANTORO, 

3  View  near  Rome. 


A.  TABOUIN, 

4  Scene  on  Lake  Brientz 

5  Scene  near  Geneva. 


Reading. 


Rome. 


Geneva. 


Paris. 


P.  GUILLEM  I  NET, 

6  Fowls. 

7  Barn-yard  Scene. 

P.  ST.  MEURIS, 

8  On  the  Loire. 

9  Evening  on  the  Oise. 

AUGUSTE  ROY, 

10  Old  Bridge  at  Ghent. 

1 1  Scene  at  Antwerp. 

G.  LIAM  PE,  Munich. 

1 2  View  in  Bavaria. 

13  Chiemsee. 

R.  FENWICK,  London. 

14  An  Old  French  Man-of-War. 

15  In  the  English  Channel 

H.  HILLER,  Berlin. 

16  Scene  in  Hamburg. 


OTTO  SC  H  REN  BURG,  Munich. 

1 7  Scene  in  the  Bavarian  Tyrol. 


M.  B.  VIOLLET  LE  DUC,  Paris. 

1 8  American  Steamer  off  Havre. 

19  '  Off  the  English  Coast  in  a  Gale.. 


JERVIS  Mo  ENT  EE,  New  York. 

20  The  Last  Gleam. 

W.  ANGUS,  Antwerp 

21  A  Holland  Interior. 

HENRI  PIERRE  PICOU,  Paris. 

Medals,  1848  and  1857. 

22  Hunt  the  Ring. 

J.  DE  NITTIS,  Paris. 

23  The  Costumer’s  Shop. 

A  brilliant  example  and  rich  in  color.  Such  a  specimen  is  difficult  to 
obtain,  and  commands  a  high  price. 


JULES  GOUPIL,  Paris. 

24  Paying  Calls. 

An  exquisite  painting  of  the  highest  class. 

JULES  MASSE,  Paris. 

25  The  Departure  for  the  Wars — 

Scene  during  the  First 
Empire. 

A  choice  picture. 

H.  VON  SEBEN,  Brussels. 

HENRIETTA  RONNER,  Brussels. 

26  Winter  Pastimes. 

As  fine  a  specimen  of  these  artists  as  ever  imported. 

SEELDRAYER,  Paris. 

27  Baby  Don’t  Like  It. 

P;  SERATRICE,  Rome. 

28  The  Siesta. 


In  the  style  which  made  Zamacois  so  famous,  it  is  so  well  done  that  it 
will  commend  itself  to  amateurs. 


Brussels. 


A.  GRIPS, 

29  The  Thoughtful  Mistress. 

EMILE  LEVY,  Paris. 

Grand  Prize  of  Rome,  1854.;  Medals,  1859,  ’64,  '66;  Cross  ol  the  Legion 
of  Honor,  1867  ;  Medal,  1867,  E.  U. 

30  Love’s  Whispers. 

An  exquisite  picture. 

F.  F.  DE  CR  ANO,  Philadelphia. 

30^  Summer  Rambles. 

HENRI  COROENNE,  Paris. 

3 1  The  Salute. 

.  A  superb  and  brilliant  work  of  art. 

A.  DELOBBE,  Paris. 

32  Resting. 

ED.  NAVONE,  Rome. 

33  The  Toilet. 

EDMUND  CASTAN,  Paris. 

34  Christmas  Morning. 

A  singularly  beautiful  specimen  of  a  most  talented  artist.  The  subject 
appeals  to  every  one  at  this  happy  season  of  the  year. 


Paris. 


A.  OUDINOT, 

3  5  Banks  of  the  Oise  near  Anvers. 

M.  Oudinot  exhibited,  for  the  first  time,  in  the  Paris  Salon  this  year,  and 
his  landscape — a  fine  pastoral — was  bought  by  the  French  Govern¬ 
ment. 


EUGENE  VERBOECKHOVEN,  Brussels. 

Medals,  1824,  [841,  1845,  and  1855  ;  Cross  of  the  Legion  of  Honor,  1855, 
and  many  other  decorations. 

36  Sheep. 

Specimens  of  this  great  artist  are  becoming  every  year  harder  to  obtain, 
and,  as  in  the  ordinary  course  of  nature,  he  must  soon  lay  aside  his 
pencil,  the  present  is  the  opportunity  to  gain  his  works. 


GEORGE  INNES,  Paris. 

Gold  Medal,  Boston  Exposition,  1874. 

37  Sunset,  Lake  Nemi. 

WILLIAM  S.  HASELTINE,  Rome. 

38  Maggiore. 

39  Como. 

H.  HERZOG,  Dusseldorf. 

40  Glacier  near  Partenkirchen, 

Bavaria. 

4 1  Waterfall  in  Karmthen,  Austria. 

These  examples  are  as  fine  as  anything  from  the  easel  of  this  illustrious 
painter  ever  exhibited  in  America. 


J.  F.  KEN  SETT  (deceased). 

42  Landscape. 

This  picture  is  a  gem,  although  an  early  picture,  having  been  painted  in 
1848.  It  is  said  to  have  been  executed  abroad. 


G  W.  NICHOLSON,  Philadelphia. 

43  View  on  the  Severn. 

Perhaps  no  artist  through  his  works  gives  more  general  satisfaction  and 
pleasure  than  Nicholson. 

H.  LEIN  WEBBER,  Dusseldorf. 

44  Making  Too  Free  by  Half. 

GONZALEZ  PRIVOT,  Paris. 

45  Fair  Sport. 

J.  TAPIRO,  Rome. 

46  The  Mother’s  Pride. 

/  # 

This  is  one  of  the  finest  water-color  pictures  ever  seen  in  Philadelphia. 

N.  CIPRIANI,  Rome. 

47  Summer  Rambles. 

An  aquarelle  of  the  highest  class. 


Paris. 


GUSTAV  DE  JONGHE, 

Medals,  1863,  '68,  ’70. 

48  The  Music  Lesson, 

During  the  past  year  the  works  of  De  Jonglie  have  met  with,  in  his  case, 
an  unprecedented  demand  ;  and  it  is  admitted  that  he  will,  without 
doubt,  be  the  successor  of  Alfred  Stevens,  in  the  estimation  of  con¬ 
noisseurs. 


EDOUARD  ZAMACOIS  (deceased). 

Medals,  1867,  1868,  and  1870. 

49  The  Cavalier’s  Repose 

The  Works  of  Zamacois  are  becoming  exceedingly  rare,  and  those  col¬ 
lectors  who  have  not  already  secured  one,  had  better  avail  them¬ 
selves  of  the’opportunities  as  they  offer,  as  there  will  soon  be  none 
upon  the  market. 


LAD1SLAS  BAKALOWICZ,  Paris. 

50  Curiosity. 

The  pictures  of  this  artist  require  no  introduction. 


G.  FERRARI,  Rome. 

5  i  The  Ambuscade. 

It  is  only  of  late  years  that  the  paintings  of  Ferrari  have  been  imported  ; 
but  they  have  long  commended  themselves  to  European  buyers. 


NOEL  SAUNIER,  Paris. 

52  Visitors  at  the  Ruined  Abbey. 


LITSCHAUER  (deceased). 

53  The  Armourer. 

One  of  the  best  German  pictures  in  the  sale,  and  by  a  celebrated  man. 


G.  DOYEN,  Paris. 

54  The  N  e\v  Aigrette. 

.  The  wcrk  of  one  of  the  most  talented  artists  in  Europe. 


P.  LINDER,  Paris. 

5  5  Garden  Scene  during  the 
French  Revolution. 

A  beautiful  artistic  picture,  that  truthfully  represents  the  period  ot  the 
Revolution.  The  art  in  it  is  splendid. 

E.  M  ELI  DA,  Rome. 

56  The  Arrival  Home. 

A  careful  and  agreeable  rendering  of  an  every-day  subject  in  Spain. 

H.  L.  ROLFE,  .  London. 

5  7  Trout. 

This  beautiful  painting  is  the  work  of  the  most  illustrious  painter  of  lish 
in  the  world. 

FELIX  ZIEM,  Paris. 

.  ''  {  •  if  *. 

Medals,  1851,  1852,  and  1855  ;  Cross  of  the  Legion  of  Honor,  1857. 

58  Venice. 

Worthy  of  a  place  in  any  collection  of  art. 


Munich. 


K.  HEILMEYER, 

59  Venice  by  Moonlight. 

Really  superb. 


B.  C.  KOEKKOEK  (deceased). 

6o  On  the  Zuyder  Zee. 

The  good  works  of  the  great  Koekkoek  have  become  of  late  years  ex¬ 
ceedingly  rare,  and  dealers  even  experience  great  difficulty  in  obtain¬ 
ing  a  specimen.  This  unusually  good  one  is  presented  with  the 
hope  that  those  interested  in  the  best  foreign  art  will  not  permit  it 
to  sell  below  its  value,  for  it  would  be  difficult  to  replace  with  one  so 
excellent.  It  has  been  likened  to  efforts  by  the  old  Dutch  masters. 


ALBERT  BIERSTADT  New  York. 

6 1  V  iew  on  Sir  Morton  Peto’s 

Grounds,  near  Great  Yar¬ 
mouth,  England. 

7  o 

ADOLPHE  SCHREYER,  Paris. 

Medals,  1864,  ’65,  ’67. 

62  Fleeing  from  the  Fire. 

For  quality  and  beauty,  this  picture  is  unsurpassed  and  unsurpassable, 
by  Schreyer.  It  was  bought  in  Berlin,  and  formed  a  part  of  the 
celebrated  collection  lately  sold  there. 


JULES  DUPRE,  Paris. 

Medals,  1833  ;  Cross  of  the  Legion  of  Honor,  1849;  Medal,  1867,  E,  U. 

63  View  in  France. 

A  most  superior  specimen  of  this  illustrious  landscape  painter. 


CONSTANT  TROYON  (deceased). 

Medals,  1838,  '40,  ’46,  ’48,  '55  ;  Cross  of  the  Legion  of  Honor.  1849. 

64  Landscape  and  Cattle. 

J.  SPIRIDON,  Rome. 

65  The  Game  of  the  Dwarfs. 

Since  the  death  of  Zamacois,  no  one  has  succeeded  so  well  in  rendering 
his  favorite  subjects  as  Spiridon. 

JAMES  M.  HART,  '  New  York. 

65 a  Afternoon  on  the  Bronx. 

WILLIAM  HART,  New  York. 

65 b  In  the  Adirondack^. 

J.  A.  HEUILLANT  Paris. 

66  The  Siesta — Scene  in  Japan. 

A  line  work  of  art. 

CARNAVALLI,  Rome. 

67  The  Pet  Dog. 

OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 

68  Treading  Out  the  Wheat. 

This  is  one  of  the  fine  pictures  in  the  collection,  and  is  worth  in  Rome  a 
thousand  dollars  in  gold. 


EDOUARD  RICHTER  Paris 

69  The  Invitation  to  the  Garden, 
Interior  of  a  Chateau — Time 
of  Louis  XIV. 

Sunlight  was  perhaps  never  more  faithf'il’y  or  more  powerfully  rendered. 
The  whole  picture  is  a  splendid  work  c,  art. 


V.  BARVETIUS,  Paris, 

70  La  Place  de  la  Concorde. 

REIDEL,  Rome. 

71  The  Temple  of  Paestum. 

C.  THEO.  FRERE,  Paris. 

Medals,  1848  and  1865. 

72  The  Halt — On  the  Nile,  near 

Cairo. 

J.  STIRLING  THOMAS,  Philadelphia. 

73  Cherries. 

NEW  BOLD  H.  TROTTER,  Philadelphia. 

74  Jack  and  Jill.  s 


AGNATTI, 


Florence. 


75  Deposition  Sublime  by  Cor¬ 

reggio. 

oo 

76  Saint  Romualde  and  Monks. 

These  superb  Mosaics  are  entitled  to  the  greatest  consideration  and  care 
of  inspection.  Formed  of  myriads  of  small  pieces  of  stone,  it  is  won¬ 
derful  to  a  degree  how  the  talent  of  the  artist  had  enabled  him  to 
group  them  together  to  form  these  beautiful  works  of  art.  Time, 
which  ruins  so  much  magnificent  art,  will  have  but  little  effect  on 
these  enduring  monuments  of  skill. 

FREDERICK  RANDLE,  Philadelphia. 

76a  Still  Life. 

PHILIP  F.  WHARTON,  Philadelphia. 

7  7  Sea-side  Enjoyment. 

H.  MORTON. 

78  The  Old  Wind-Mill. 

ISAAC  L.  WILLIAMS,  Philadelphia. 

79  Scene  in  Centre  Co.,  Pa. 

N.  CIPRIANI,  Rome. 


80  Watching  the  Balloon. 


Paris. 


V.  THIRION, 

8 1  Gathering  Grapes. 


A.  ROMAKO,  Rome. 

82  Narcissus. 

FELIX  COJEN,  Brussels. 

83  Self-Satisfaction. 


GEORGE  C.  LAMBDIN. 

84  Reading. 

F.  MOORMANS,  Paris.  - 

85  The  Music  Lesson. 

FERDINAND  ROYBET,  Paris. 

Medal,  1866.  • 

86  Still  Life. 

A  grand  still  life,  full  of  the  finest  quality,  but  perhaps  painted  in  too  low 
a  key  to  be  admired  by  those  not  up  in  art  matters. 


MATHIAS  LEYENDECKER,  Paris. 

87  Game.. 

Painted  like  a  minature. 


E.  H.  MAY, 


Paris. 


Medal,  1855. 

88  The  Masquerade. 

A.  MARCHAUX  ,  Paris. 

89  The  Beautiful  Greek  Girl. 

F.  DE  VOS,  Brussels. 

90  Circus  Performers  at  Rest. 

CHARLES  JOSEPH  BEAUX7 ERIE,  Paris. 

91  On  the  Seine. 

L.  COMELERAN,  Paris 

92  Feeding  the  Ducks. 

* 

F.  RAFEAELLI,  Paris. 

93  Street  Scene  in  Paris.  i 

A.  CRUDOR,  Paris. 

94  View  in  Lorraine. 

95  View  near  Metz. 

EDMUND  D.  LEWIS,  *  Philadelphia. 

96  The  Dumplings. 


ECOND  §VENING’S  §ALE. 


AUGUSTE  ROY,  Paris. 

97  Amsterdam. 

N 

98  Scene  at  Havre. 

R  GUI  L LEM  I N ET,  Paris. 

99  Fowls. 

100  Barn-yard  Fowls. 

M.  B.  VOILLET  LE  DUC  Paris. 

101  English  Ship  Nearing  Port. 

102  French  and  English  Naval 

Engagement. 

.♦  o 


A.  TABOUIN,  Geneva. 

103  Scene  near  Interlaken. 

104  Switzerland. 


Paris. 


P.  ST.  M  EUR  IS, 

105  Sunset  on  the  Moselle. 

106  Summer  in  Champagne. 

Hf  KLEMKE,  Brussels. 

107  Winter  Scene  in  Holland, 

OTTO  SCHNEIDER,  ,  Berlin. 

108  On  the  Rhine. 

109  Lake  in  the  Bavarian  Tyrol. 

J.  WALTON,  Philadelphia. 

tio  The  Harvest  Field. 

H.  HILLER,  Berlin. 

111  N  orwegian  W aterfall. 

OTTO  SCHERENBURG,  Munich. 

1 1 2  Scene  in  Bavaria. 

ISAAC  L.  WILLIAMS,  Philadelphia. 

r 

1 13  View  in  Montgomery  Co.,  Pa. 


P.  F.  WHARTON,  Philadelphia, 

1 14  A  Romance  of  Venice, 

NEWBOLD  H.  TROTTER,  Philadelphia. 

1 1 5  The  Thermopyl  ae. 

F.  HOWLAND,  paris. 

i  16  The  Bather. 

F.  RAFFAELLI,  Paris. 

1 1 7  The  Outskirts  of  Lyons. 

OTTO  DIEZEL,  Geneva. 

1 18  Scene  in  the  Hartz  Mountains, 

1 19  Rest  by  the  Wayside. 

F.  S.  MU  RETT  I,  Rome. 

120  The  Flower  Girls. 

12 1  Gathering  Grapes. 

F.  F.  DE  CItANO, 

12  i  a  A  Quiet  Corner. 


Philadelphia. 


J.  CRAWFORD  TIIOM,  New  York. 

12  i  b  The  Foreign  Invasion. 


P.  C.  COM  PTE,  Earis. 

Medals,  1852,  1853,  1855  and  1857  ;  Cross  of  the  Legion  of  Honor,  1857  ; 
Medal,  1867,  E.  V. 

122  The  Love-Letter. 

A  most  beautiful  picture  by  one  of  the  most  celebrated  of  artists.  A 
work  of  art  calculated  to  adorn  "any  collection,  and'give  great  pleas¬ 
ure  to  its  possessor. 


TONY  FAIVRE, 

Medal,  1864. 

123  The  New  Story. 


Paris. 


J.  L.GEROME,  ™ns. 

Medals,  1847,  1848,  and  1855;  Cross  of  the  Legion  of  Honor,  1855 
Member  of  the  Institute,  1865];  Medal  of  Honor,  1867;  Officer  of 
the  Legion  of  Honor,  1867. 

124  The  Misery  of  War. 

Although  not  the  largest  in  size  of  Gerome’s  paintings,  it  is  especially 
important  as  being  a  picture  finished  in  his  best  style  ;  the  subject 
is  like  many  by  this  artist,  anything  but  pretty,  but  prettiness  is  not 
the  characteristic  of  Gerome,  but  truth  is — for  this  latter  quality  it  is 
greatly  to  be  commended. 


EDOUARD  RICHTER, 

125  The  Pleasant  Stroll. 


Paris. 


A.  DUCRO, 


Rome. 


126  Displaying  the  Jewels. 

This  picture  of  the  Roman  School  is  of  the  very  finest  quality,  and 
worthy  of  the  consideration  of  the  best  connoisseurs. 


F.  ANDREOTTI,  Rome. 

~?7  The  Tease. 

O.  CORTAZZO,  Paris. 

128  The  Morning  Walk. 

A  brilliant  example  of  this  great  artist. 

L.  ALVAREZ,  Rome. 

129  The  Dancing  Lesson. 

A  beautiful  picture.  The  companion  was  sold  for  a  very  large  price. 

HEILIGERS,  Brussels. 

1 30  Surprised, 

JOSEPPI  CARAUD,  Paris. 

Medals,  1859,  ’61,  ’63;  Cross  of  the  Legion  of  Honor,  1867. 

131  I  he  Art  Lesson. 

One  of  this  artist’s  finest  works. 


G.  CAST IGL ION E, 


Paris. 


132  Inspecting  her  Treasures. 

A  choice  picture  by  an  artist  who  is  justly  obtaining  a  first  place  in  art 
estimation. 


EUGENE  CUNY,  Paris. 

133  The  Anxious  Parents. 

V.  CHEVII.LARD,  Paris. 

134  The  Pet  Dog, 

A  most  brilliant  and  beautiful  picture. 

J.  B.  A.  E.  BERANGER,  Paris.  . 

Medals,  1846  and  1848. 

135  The  Little  Dressmaker. 

G.  FERRARI,  Rome. 

136  Espionage. 

137  Curiosity. 

The  works  of  Ferrari  are  not  often  seen  in  this  country.  His  pictures 


are  fine  works  of  art,  and  are  expensive.  Mr.  Haseltine  is  satisfied 
that  they  will  meet  with  the  approval  of  the  public. 


LOUIS  JIMENEZ,  Rome. 


138  The  Attentive  Listener. 


Paris. 


JULES  GOUPIL, 

139  Reverie. 

140  Waiting, 

A'pair  of  paintings  exceedingly  attractive,  and  rendered  as  only  Jules 
Goupil  can  do.  They  are  worthy  of  great  praise. 


LOUIS  ROSSI,  Rome. 

141  The  Artist. 

One  of  the  most  beautiful  examples,  by  this  illustrious  painter,  ever  ex¬ 
hibited  in  this  country. 


CHARLES  SEIBELS,  Dusseldorf. 

1 42  Holland  Landscape,  with  Cattle. 

A  picture  with  the  finest  qualities  of  Andreas  Achenbach,  and  in  itself 
without  a  fault.  Really  a  great  work. 


WILLIAM  S.  HASELTINE,  Rome. 

143  Clearing  Up  Alter  a  Storm. 

J.  A.  NEUHUYS,  Brussels. 

144  The  Portrait. 

This  splendid  painter  ranks  with  Florent  Willems,  and  holds  high  place 
with  him  in  the  world  of  art.  This  is  a  superb  work. 


W.  AMBERG, 


Berlin. 


145  Abstraction. 

A  picture  of  fine  subject  and  quality,  and  well  calculated  to  adorn  anv 
dwelling'. 

FREDERICK  RANDLE,  PliiladelpJiia. 

145a  Flowers. 

P.  KNARREN,  Brussels. 

146  The  First  Toy. 

A  splendid  picture,  painted  in  the  style  of  Florent  Willems. 

THEOPHILE  GIDE,  -  Paris. 

147  The  Rehearsal  for  the  Mass. 

G.  TOESCHI,  -  •  Rome. 

148  "1  he  Visit  of  the  Cardinal. 

EMILE  LEVY.  Paris. 

Grand  Prize  of  Rome,  1854;  Medals,  1859,  ’64,  ’66  ;  Cross  of  the  Legion 
of  Honor,  1867;  Medal,  1867,  E.  U. 

149  Erecting  the  Statue. 

A  most  important  work  by  this  artist. 


GIOVANNI  ROTA,  Paris. 

150  The  Visit  to  the  Gallery — In 

the  Time  of  the  Directory. 

No  one  can  but  pause  before  this  painting ;  and  to  pause  is  to  praise 
and  admire.  Certainly  a  more  attractive  picture  cannot  be  pre¬ 
sented. 

CARL  ROBIEJSH,  Munich. 

151  Up  to  Mischief. 

P.  BARTH. 

152  Feeding  Rabbits. 

VICTOR  TORTEZ,  Paris. 

i  53  The  Rivals. 

A  subject  interesting,  and  treated  in  a  peculiarly  attractive  and  forcible 
manner.  The  page  in  gray  tights  certainly  seems  determined  that 
the  other  gentleman  shall  not  pay  attention  in  the  direction  of  his 
thoughts,  if  he  can  help  it. 


J.  B.  C.  COROT,  Paris. 

Medals,  1833,  1848,  and  1855;  Cross  of  the  Legion  of  Honor,  1846; 
Medal,  1867,  E.  U.;  Officer  of  the  Legion  of  Honor,  1867. 

154  A  Pastoral. 

This  superb  specimen  of  the  Master  cannot  but  secure  from  art  connois¬ 
seurs  loud  praise. 


H.  CORRODI,  Rome. 

1 55  View  on  the  Seine. 

W.  ROSHAL,  Berlin. 

156  Winter  Scene  in  the  Park  of 

the  Duke  of  Devonshire. 

.C.  RIEFSTAHL,  Berlin. 

157  Winter  Sunset  in  Holland. 

H.  HILLER,  Berlin. 

158  Scene  in  Bavaria. 

C.  LATOUCHE.  Paris. 

159  Rheims. 

1 60  Ghent. 

A.  K.  PHILLIPPOTEAUX,  Paris. 

1 6 1  View  near  Cernay. 

M.  ADAM,  Paris. 

162  On  the  French  Coast. 


J.  ROBIE 


Brussels. 


Medals,  1851  and  1863. 

163  Summer  Roses. 

A  most  brilliant  and  beautiful  example  by  this  the  most  eminent  painter 
of  flowers. 

.  ,  ,  |  -\  \r  JL  til  1S» 

MILNE  RAMSEY, 

164  Nature  and  Art. 

Nothing  finer  by  this  rising  and  already  highly  prominent  painter  has 
ever  been  exhibited.  Ramsey  promises  to  be  one  of  the  great  artists 

of  America. 


JOSEPH  COOMANS,  ' 

165  The  Beautiful  Pompeian. 

There  probably  has  never  been  such  a  picture  by  Coomans  ever  exhibited 
in  this  country  before— it  surpasses  all  of  his  former  efforts. 


E.  II.  MAY,  Medal,  1855. 

166  Waiting. 

H.  HERZOG,  Dusseldorf. 

167  Ostende  Pier. 


WILLIAM  S.  IIASELTINE, 

168  Sunrise  at  Capri. 


Rome. 


Paris. 


CJESAR  DELL  ’AQUA, 

169  The  Jealous  Pets. 

Dell’  Aqua,  one  of  the  finest  of  living  painters,  has  certainly  done  him¬ 
self  justice  in  this  production  of  his  pencil.  Difficult  is  it  to  obtain 
any  work  of  art  by  him,  but  almost  impossible  such  a  beautiful  con¬ 
ception  and  rendition. 


E.  BOSCH,  Dugseldorf. 

170  The  Old  Time-Piece. 

This  beautiful  work  of  art,  the  effort  of  one  of  the  greatest  of  the  German 
artists,  is  well  calculated  to  secure  the  attention  and  approval  of  art 
enthusiasts.  The  execution  is  faultless,  and  the  subject  one  that 
everyone  will  enjoy. 


H.  SONDERMAX,  Dusseldorf. 

17 1  The  Joy  of  the  Cottage. 

The  story  is  most  eloquently  told ;  but  not  only  in  this  has  the  painter 
shown  his  skill.  Every  touch  of  the  brush  has  proclaimed  him  a 
master. 


W.  AMBERG,  Berlin. 

172  Retrospection. 

Were  the  artist  unknown  to  fame,  this  picture  would,  by  its  exhibition, 
make  for  him  a  reputation  that  would  be  lasting.  It  can  be  asserted 
with  the  greatest  boldness  and  confidence,  that  no  such  expression 
of  Amberg’s  art  has  ever  been  shown  in  the  United  States.  The 
sentiment  depicted  is  beautiful,  and  at  the  same  time  wonderful. 


CHRISTIAN  SELL,  Dusseldorf. 

173  At  the  Siege  of  Paris. 

Sell  has  become  one  of  the  finest  battle  and  soldier  painters  of  Europe, 
and  this  is  a  worthy  ex  Ample. 


E.  YORKERS,  Dusseldorf. 

174  Hungarian  Peasants  on  a 
Journey. 

A  characteristic  picture  of  the  manners,  customs,  and  costumes  of  Hun¬ 
gary. 


L.  BECHI,  Rome-  . 

175  Harvest  Time  in  Italy. 

Luxuriant  in  color,  and  replete  with  sunlight.  Attractive  in  subject  and 
remarkable  in  execution,  it  presents  a  picture  to  be  greatly  admired 
and  desired. 


Y.  DE  VOS,  f  Brussels. 

176  Rather  Dangerous. 

A  fine  picture  by  one  of  the  best  dog  painters  living. 


HENRI  DE  BEUL,  Brussels. 

1 7  7  Sheep. 

In  many  respects  equal  to  the  master  Verboeckhoven,  and  in  all  re¬ 
spects  a  pleasant  and  well-painted  picture. 


Antwerp. 


A.  ROSENBOOM, 

178  Curiosity. 

P.  F.  WHARTON,  Philadelphia. 

179  The  Call  to  Work. 

A  pleasant  reminder  of  the  pleasure  experienced  at  the  seaside  by  the 
young  people.  A  cheerful  picture,  and  full  of  life  and  light. 


J.  WALTON,  Philadelphia. 

180  On  the  Delaware. 

EDMUND  D.  LEWIS,  Philadelphia. 

18 1  I  he  After  Glow — View  on  the 

Susquehanna. 


Paris. 


Third  JSvenjng’s  |al 


EMILE  VERNIER, 

182  View  near  Paris. 

II.  HILLER,  Berlin. 

183  Near  Dieppe. 

M.  ADAM,  Paris. 

184  On  the  French  Coast. 

LOUIS  DE  BERG,  Paris. 

185  Dieppe. 

186  On  the  Normandy  Coast. 

J.  WALTON,  Philadelphia. 

187  Autumnal  Morning. 

ISAAC  L.  WILLIAMS,  Philadelphia. 

188  Scene  in  Montgomery  Co.,  Pa 


Paris. 


JULES  GOUPIL, 

189  The  New  Novel. 

G.  NAVIER,  Paris. 

190  Exercising  Patience. 

J.  LERAY,  Paris. 

1 9 1  The  Declaration  of  Tove. 

L.  HAAG,  -  Paris. 

192  Thoughts  of  Others. 

H.  LEIGH,  -  London. 

193  Arbuy  Cathedral. 

CHRISTIAN  SELL,  Dusseldorf. 

194  Scene  during  the  Winter  Cam¬ 

paign  in  France. 

Such  a  choice,  sparkling  little  gem  of  a  military  picture  it  would  be  diffi- 
.  cult  to  find.  It  should  sell  for  a  large  price  in  the  worst  of  times. 


J.  SIM  MONDE,  Dusseldorf. 

19S  Waiting  for  the  Word. 

Simmonde  has  here  clothed  an  every-day  occurrence  with  such  remark- 
N  able  truth  of  detail  as  well  as  sentiment,  that  the  beholders  can  al¬ 
most  imagine  themselves  the  participants  in  the  scene.  The  chief 
beauty  of  the  picture  is,  however,  the  beautiful  execution. 


Rome. 


LUIGI  MACCARRI, 

196  Christmas  Morning. 

Certainly  an  attractive  picture,  containing  some  of  the  highest  evidences 
of  superior  art,  while  the  subject  is  of  the  best,  and  especially  appro¬ 
priate  to  the  present  season  of  the  year. 


GUERRA,  ,  Rome. 

197  The  Debauch. 

No  connoisseur  or  artist  can  pass  this  jewel  of  art  without  bestowing 
upon  it  expressions  of  admiration.  It  cannot  fail  to  be  appreciated 
by  any  or  all. 


A.  DUCRO,  Rome. 

1 98  Food  for  Gossip. 

Of  all  of  the  painters  of  Europe  who  have  lately  come  into  notice  owing 
to  their  productions  of  great  merit,  perhaps  no  one  is  more  entitled 
to  extravagant  praise  than  Ducro. 


ALEX.  M.  GUILLEMUST.  .  Paris. 

Medals  1841,  1845,  and  1859;  Cross  of  the  Legion  of  Honor,  1 86  r . 

199  The  Morning  Prayer. 

Ciuillemin  tills  a  place  in  art  and  in  the  world's  esteem  that  is  his  alone. 
In  style  of  manipulation,  in  character  of  subject,  and  in  beauty  of 
sentiment,  he  is  certainly  appreciated.  This  example  is  a  perfect 
gem. 


J.  B.  J.  TRAYER,  Paris. 

Medals,  1853  and  1855. 

200  The  Industrious  Wife. 

This  favorite  painter  has  long  been  known,  and  many  are  his  friends 
and  admirers.  A  beautiful  expression  by  him,  is  the  picture  here 
presented.  It  would  adorn  a  collection  of  the  choicest  character. 


i .  Cl  POLL  A,  Ro  rn  e. 

201  The  Victim. 

Brilliant  in  effect,  and  careful  in  detail,  he  forms  to  the  eye  a  most  attrac¬ 
tive  picture.  The  artist  is  only  now  becoming  known,  hut  soon 
every  amateur  will  know  of  his  works  and  understand  the  high  prices 
that  his  pictures  bring. 


H.  YY  ERNER,  Dusseldorf. 

202  Grandmas  Story. 

It  is  utterly  useless  to  draw  attention  to  the  high  character  of  the  art 
in  this  picture,  while  the  subject  is  one  that  every  parent  or  child  can 
but  find  pleasure  in,  and  a  home  adorned  with  such  pictures  cannot 
help  but  be  a  happy  one. 


J.  WALRAVEN,  Dusseldorf. 

203  Learning  How. 

Walraven  has  painted  many  more  important  works  in  size,  but  perhaps 
never  has  excelled  the  present  picture  in  quality.  It  also,  like  No. 
202,  cannot  fail  to  be  sought  for,  owing  to  its  beautiful  subject. 


A.  VAN  DER  VENNE,  Dusseldorf. 

204  Badly  Scared. 

A  picture  full  of  humor  as  well  as  art ;  the  humor,  however,  is  confined 
entirely  to  the  spectator  and  not  to  the  actors  in  the  scene,  for  all 
are  badly  scared. 


E.  SCHLEICH,  Munich. 

205  On  the  Way  to  Market. 

Nothing  finer  from  the  Munich  School  of  Art  in  landscape  can  be  pro¬ 
duced.  It  is  superb. 


Dusseldorf. 


H.  HERZOG, 

206  Niagara  Falls  from  the  Museum. 

A  splendid  work  by  this  talented  painter. 

WILLIAM  S.  IIASELTINE,  Rome. 

207  Sunrise  at  Amalfi. 

208  Sunrise  at  Ostia. 

A 

A  choice  pair  of  paintings. 

MILNE  RAMSEY,  Paris. 

209  Nature  and  Art. 

A  beautiful  work. 

CHARLES  CHAPLIN,  ,  Paris. 

Medals,  1851,  1852,  and  1865.  Cross  of  the  Legion  of  Honor,  1865. 

210  The  Pet  Bird. 

EOU  CHARD,  Paris. 

210 a  An  Italian  Beauty. 

j 

C.  BAUGNIET,  Paris. 

7  -s 

211  The  F  avorites  of  the  Boudoir. 

The  works  of  Baugniet  are  always  dear  in  price,  and  scarce  at  any  price. 


G.  JACQUET, 


Medal,  1868. 


Paris. 


2  i  2  Anticipation. 

A  new  and  striking  picture,  just  received  from  Paris  and  the  artist. 


ANDERS. 

213  The  Home  Treasure. 

Beautiful  in  subject  and  color,  and  careful  in  finish  ;  it  is  not  only  a  fine 
example  of  the  artist,  but  a  valuable  addition  to  the  ait  ti ensures  of 
the  country. 


PROFESSOR  ITTENBACH,  Dusseldorf. 

214  The  Virgin  and  Infant  Jesus. 

No  one  in  Europe  is  superior  to  this  artist  in  this  department  of  art. 
The  elaboration  and  finish  of  this  extraordinary  picture  is  wondenul 
to  a  degree.  It  certainly  should  secure  great  competition. 


GEO.  EL  BOUGIITON,  London. 

215  The  Siren. 

To  Americans  it  is  unnecessary  to  introduce  Mr.  Boughton.  So  familiar 
have  the  people  of  two  continents  become  with  his  art,  that  when¬ 
ever  a  picture  is  offered  upon  the  market;  it  is  the  signal  .or  great 
competition  for  its  possession.  Certainly  this  is  a  specimen  ot  the 
first  importance. 


CHARLES  EMILE  JACQUE, 

Medals,  1851,  1861,  1863,  and  1864.  Cross  of  the  Legion 

Medal,  1867,  E.  U. 


Paris. 


of  Honor,  1867. 


216  The  Pasture. 

More  important  pictures  by  this  artist  have  been  before  the  American 
public,  but  nothing  more  brilliant  and  beautiful  by  Jacque  has  e\e 
been  offered  anywhere. 


ALBERT  PA  SIN  I,  Paris. 

Medals,  1859,  1863,  and  1864.  Cross  of  the  Legion  of  Honor,  1868. 

2  1 7  Market  Scene  at  Cairo. 

Fromentin,  Gerome,  Fortuny,  and  Pasini  are  four  of  the  great  paint¬ 
ers  of  Eastern  scenes.  Pasini  is  destined  to  occupy  one  of  the  most 
prominent,  places  in  art  of  the  century. 


EDOUARD  ZAMACOIS  (deceased). 

Medals,  1867,  i368,  and  1870. 

218  The  Cavalier. 

A  singularly  beautiful  specimen  of  Zamacois.  As  it  is  well  known  the 
works  of  this  artist  are  now  almost  impossible  to  procure. 


JULES  EMILE  SAINTAIN,  Paris. 

Medal,  1866. 

219  The  Garden  Ramble. 

Sainlain  is  probably  the  most  popular  of  all  the  great  French  painters 
whose  works  are  sold  in  the  American  and  English  markets.  So 
great  is  the  demand  for  them  in  London,  and  so  high  the  prices  paid 
for  them,  that  it  is  rare  that  one  finds  its  way  to  the  United  States. 
It  is  perhaps  two  years  since  an  important  one  has  been  seen  here. 


LEON  Y.  ESCOSURA,  Paris. 

Decoration  of  Spain. 

220  The  Serenade. 

Since  last  year  the  prices  of  Escosura  have  again  advanced,  and  notwith¬ 
standing  there  are  upon  the  market  fewer  of  his  pictures  than  ever, 
he  promises  to  be  one  whose  pictures  will  be  costly  to  a  degree,  as 
his  reputation  is  assured,  and  his  great  excellence  acknowledged. 


E.  BOSCH,  Dusseldorf. 

221  The  Railroad  Crossing. 

o 

It  is  some  years  since  anything-  important  by  Bosch  has  found  its  way  to 
this  country,  everything  having  been  bought  up  by  Europeans  im¬ 
mediately  upon  its  production.  In  this  effort  of  his  skill,  we  are, 
however,  able  to  rejoice  that  now  a  masterpiece  is  exhibited  fcr  our 
admiration  and  praise.  1s  there  in  the  possession  of  anyone  in  the 
United  States  any  picture  by  the  artist  in  any  way  equal  to  it  ? 

Y  A  LLES,  Rome. 

222  The  Indian  Juggler. 

Fortuny  or  Gerome,  perhaps,  are  the  only  artists  who  could  have  painted 
this  picture  equal  to  Valles.  The  deep  interest  and  attention  of  the 
lookers-on,  the  skill  displayed  by  the  operator,  the  manner  in  which 
the  knives  seem  to  spring  through  the  air,  the  gorgeous  color,  the 
effects  of  light  and  shadow,  all  together  make  up  a  picture  of  the 
highest  art. 


H.  LEI N W EBBER,  Dusseldorf. 

’  *  * 

223  Blind  Man’s  Buff. 

A  pleasing  and  attractive  subject  is  often  greatly  to  be  desired  in  a  pic¬ 
ture — and  here  it  is.  The  execution  requires  no  comment,  it  is  so 
perfect  and  artistic,  w'hile  the  rendering  of  the  subject  is  so  truthful 
that  any  gazer  cannot  but  admire  the  consummate  skill  of  the  de¬ 
signer. 


EUGENE  LEJEUNE,  Paris. 

224  The  Burial  of  die  Bird. 

The  engraving  from  this  painting  is  familiar  to  all  ;  perhaps  no  print  of 
modern  times  has  had  a  greater  sale.  Lejeune,  as  an  artist,  has 
obtained  a  great  and  lasting  reputation.  The  subject  is  one  of  the 
most  beautiful  of  the  kind  that  an  artist  can  render. 


ROUGERON,  Paris. 

225  Eager  to  Learn,  thus  Easy  to> 
"Teach. 

It  is  easy  to  see  what  a  pleasure  it  is  for  the  parents  and  friends  to  in¬ 
struct  one  so  anxious  to  gather  knowledge.  The  child,  with  all  the 
'  grace  of  her  sex  and  race,  is  manifesting  already  an  ability  that 
promises  great  results  to  gladden  her  teacher’s  heart.  As  a  speci¬ 
men  of  brilliant  color  and  effect,  the  picture  is  simply  great. 


E.  VOLKERS,  Dusseldorf, 

226  Market  Scene  in  Hungary. 

This  certainly  is  one  of  the  most  wonderful  pictures  that  Mr.  Haseltine 
has  ever  offered  to  New  York  connoisseurs.  Above  everything  else 
ever  produced  by  the  artist,  it  is  his  masterpiece.  It  is  to  be  hoped 
that  the  same  enthusiasm  will  be  manifested  upon  its  exhibition,  as 
has  attended  it  upon  its  exposure  abroad.  The  efforts  and  enter¬ 
prise  of  American  dealers  cannot  fail  to  meet  with  approval,  when 
such  superb  works  as  this  of  Volkers  are  secured  for  the  art  collec¬ 
tions  of  the  country. 


HUGHES  MERLE,  Paris. 

7  u 

Medals,  1861  and  1863  ;  Cross  of  the  Legion  of  Honor,  1866. 

227  The  Right  Path. 

It  will,  doubtless,  be  at  once  conceded  by  everyone,  that  no  such  work 
of  Merle  is  owned  in  the  United  States,  and  it  is  probable  that 
there  is  nothing  so  magnificent  by  him  in  the  world.  It  was  his 
exhibition-picture  in  the  Salon  of  1873,  and  was  esteemed  as  a  most 
wonderful  picture.  The  lesson  conveyed,  has  been  aptly  termed  a 
sermon  on  morality,  and  few  sermons  surely' could  be  more  forcible 
or  more  productive  of  good.  The  picture  should  grace  some  great 
collection  in  the  land,  where  the  public  could  now  and  then  have 
opportunity  to  study  its  excellence,  and  increase  their  knowledge  of 
art.  It  certainly  is  a  rare  occurrence  tor  such  a  painting  to  be  of¬ 
fered  in  the  auction-room  in  any  country. 


S;  JACOBSEN,  .  Dusseldorf. 

228  Bright  Moonlight. 

This  is  the  most  splendid  example  of  this  celebrated  painter  that  Mr 
Haseltine  has  ever  seen.  It  took  a  Silver  Medal  in  the  World’s 
Fair  at  the  Crystal  Palace. 


REGIS  GIGNOUX,  Paris. 

229  The  Falls  of  Saint  Anne,  Ca. 

There  never  has  been  a  stronger  picture  painted  by  any  artist  claiming 
to  be  American.  It  is  as  fine  as  the  very  best  French  art.  It  cer¬ 
tainly  is  Mr.  Gignoux’s  masterpiece. 


CHARLES  FRANCIS  DAUBIGNY,  Rome. 

Medals,  1848,  ’53,  ’55,  ’57,  ’59  5  Cross  of  the  Le£ion  of  Honor’  lS59-. 
Medal,  First-class,  1867,  E.  U. 

230  Landscape  in  France. 

A  perfectly  magnificent  painting,  and  one  worthy  of  the  highest  lauda¬ 
tions.  Only  the  master  could  so  truthfully  and  conscientiously  de¬ 
pict  this  phase  of  nature. 

This  picture  would  cost,  in  M.  Daubigny’s  studio,  20,000  francs,  and  is 
the  finest  specimen  of  the  artist  in  the  United  States. 


C.  PITTARA,  Rome. 

231  Twilight  on  the  Roman  Cam- 
pagna. 

One  of  the  most  superb  efforts  of  this  great  painter  ever  shown  in  this 
country,  and  as  fine  as  anything  ever  seen  from  his  brush. 


Paris. 


ALFRED  WAIILBERG, 

Medals,  i87o,  1872  and  1873. 

232  Landscape — Brittany. 

No  one  of  the  new  and  rising  landscape  painters  of  France  is  exciting 
the  interest  and  expectations  of  amateurs  as  this  artist,  who  is  here 
represented  by  his  most  important  and  greatest  work. 


A.  R.  VERON.  Paris. 

233  Cloudy  Day  in  Lorraine. 

Probably  nothing  by  this  artist  equal  to  this  has  ever  been  imported.  Al¬ 
though  not  as  large  as  some  of  his  pictures,  it  is  a  first-class  effort 
of  this  first-class  painter. 


G.  DOYEN  Paris. 

234  The  Luncheon. 

A  work  of  the  very  highest  class. 

c.  D.  HUE,  Paris. 

235  The  Departure  lor  the  Prome¬ 

nade. 

A  beautiful  picture. 

AUG.  INNOCENT  I,  Rome. 

236  ddie  Connoisseur. 

237  The  Secret  Letter. 

.  A  pair  of  gems. 


N.  CIPRIANI, 


Rome. 


2Zla  The  New  Shoes. 

One  of  the  finest  paintings  in  the  Sale. 


ALBERT  LAMBRON,  Paris. 

238  Cup  and  Balls. 

239  The  Violin. 

A  most  beautiful  pair  of  paintings,  and  splendid  examples  ot  the  artist. 


G.  FERRARI.  Rome. 

240  The  Music  Party. 

This  is  the  most  important  of  all  the  pictures  by  this  artist  in  the  collec¬ 
tion.  ft  is  a  powerful  picture. 


EDOUARD  J.  C.  HAMM  AN,  Paris. 

Medals,  1853,  '55,  ’59,  ’63  ;  Cross  of  the  Legion  of  Honor,  1864. 

241  Tender  Moments. 

The  reputation  acquired  by  Hamman  is  not  to  be  wondered  at  while 
contemplating  this  work  ot  his  genius. 


OTTO  VAN  THOREN,  Vienna. 

Medal,  1865. 

242  The  H  orse  Raiders. 


Berlin. 


CHARLES  STEEFECK, 

Medal,  1855. 

243  A  Young  Family. 

Steffeck  is  the  German  Landseer,  and  no  dog  painter  is  held  in"as  high 
estimation. 


P.  MORAN,  Philadelphia. 

244  The  Wayside  Inn. 

Mr.  Moran  is  already  recognized  as  one  of  the  first  of  American  animal 
painters. 


F.  BRAIGHT,  Munich. 

245  Buffaloes  in  a  Snow  Storm. 

VAN  I)E  VELDE  BONFLELD,  Philadelphia. 

246  Winter  Morning. 

247  Evening. 

J.  WALTON,  Philadelphia. 

248  Lake  George. 

R.  FENWICK,  London. 

249  Off  Dover. 


M.  ADAM,  Iaii*- 

250  New  Dieppe. 

EDMUND  D.  LEWIS,  Philadelphia. 

V lew  on  the  Susquehanna. 


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